Does anyone have this song?
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meewillis
- mausketeer
- Posts: 130
- Joined: Sun Aug 08, 2010 8:58 pm
Re: Does anyone have this song?
a little more info:
http://web.archive.org/web/200304160845 ... ATALOG.htm
castles in the grave, amirite?
http://web.archive.org/web/200304160845 ... ATALOG.htm
castles in the grave, amirite?
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MausterofDisguise
- hippopotamaus
- Posts: 776
- Joined: Tue Aug 05, 2008 10:47 am
Re: Does anyone have this song?
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Last edited by MausterofDisguise on Wed Dec 23, 2015 1:19 am, edited 1 time in total.
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j0rdan
- city maus
- Posts: 417
- Joined: Fri Dec 12, 2008 2:51 am
Re: Does anyone have this song?
the old link to the future fear links to the now defunct website, demonstrationbootleg.com. archive.org has a bunch of it's pages archived.Jacob wrote:How'd you get that page?
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meewillis
- mausketeer
- Posts: 130
- Joined: Sun Aug 08, 2010 8:58 pm
Re: Does anyone have this song?
The old DemonstrationBootleg.com produces more questions than answers. Who is Opestein Aersethe? Who is "skins"?

More on "Lost" from John:
I love writing 12 tone. First of all, you have a gauranteed (more or less) inhexautably wonderful yet themetically consistent pitch and harmony vocabulary at your disposal. While I certainly appreciate intergral, or "total" serialism, I think dodecaphonic composition can be a vehicle for complete subjective expression realized in how you manipulate and play with your tone row. I wrote a couple of 12 tone pop songs a year or so back. Less Talk More Action and Lost. Most people who hear them agree it kind-of-works-out. They are STRICT as well. All harmonies are arrived at (in both of them) from carefull use of cambonitoriality. The first, the melody is spoken, and the second I sing different notes of the sonorities which arise from the composition. I'm not sure what the "12 tone" rules are about non-pitched percussion are-- but both have drum beats.
(from http://web.archive.org/web/200402140519 ... /JULY.html)

More on "Lost" from John:
I love writing 12 tone. First of all, you have a gauranteed (more or less) inhexautably wonderful yet themetically consistent pitch and harmony vocabulary at your disposal. While I certainly appreciate intergral, or "total" serialism, I think dodecaphonic composition can be a vehicle for complete subjective expression realized in how you manipulate and play with your tone row. I wrote a couple of 12 tone pop songs a year or so back. Less Talk More Action and Lost. Most people who hear them agree it kind-of-works-out. They are STRICT as well. All harmonies are arrived at (in both of them) from carefull use of cambonitoriality. The first, the melody is spoken, and the second I sing different notes of the sonorities which arise from the composition. I'm not sure what the "12 tone" rules are about non-pitched percussion are-- but both have drum beats.
(from http://web.archive.org/web/200402140519 ... /JULY.html)
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MausterofDisguise
- hippopotamaus
- Posts: 776
- Joined: Tue Aug 05, 2008 10:47 am